DaveE said:
What I need (this time) is a visual thought to help me make better contact with a descending blow. When I try to just think about hitting down on the ball the result ends up looking like I'm trying to plant corn. I've tried concentrating on the front of the ball instead of the back with some success but it's still not the answer.
Dave,
I've been watching Monday Night Football, and it's been so exciting, i just had to think about your post. BTW, it's 10-6 Eagles. Weak game.
Anyhoo, here's my advice. With irons, i like to keep a couple things in mind when I practice them.
First, i remind myself that I have to keep my left side quiet, but still rotate it with my swing. If you slide your hips left to right, you invite the possibilty of either a hook or a slice, depending on the severity. A mental picture for me is imagining that my left leg is a pole or post if you will, that rotates in a circle rather than moving from right to left. Try it out, it makes a huge difference in balance and staying on/behind the ball. When i hit a huge push, it's always from getting my junk thru, but moving my hips in the process. Which, in turn, moves both my body and my head off the ball. From there, it's all downhill. Staying quiet with the left leg is key.
Secondly, i imagine my swing through impact as an extension of my right/strong hand. Any wrist work will be nullified if you keep your right wrist strong from about 8 o'clock to 4 o'clock if your ball is at 6 o'clock. And your wrists will bend properly naturally as you follow through. I don't mean grip the snot out of the club, i just mean be firm through that 4-8 zone, like your smacking someone's ass. You see alot of guys swing their right arm through the zone keeping their upper body quiet. Same idea. But, your most important part is keeping strong through the swing plane as contact occurs. This may seem more of a sweep, but it's fundamental to my stroke being solid.
I read somewhere that if you imagine your club as an axe or pick that you'll understand the feeling of the stroke that you should have to create the power needed for pure, straight shots. I sorta identify with that.
Lastly, i like to take those ideas of the post left leg, the clubhead being an extension of my powerful right wrist, and add them to the idea of "pointing out your target line". In other words, after i've successfully kept the left leg quiet and strengthened up my impact zone of my swing, i like to point my club on the followthrough to my target line. Not the flag, not the green, but along the lines of where I want my ball to start. If i'm playing a cut, i start out to the left. A draw, just to the right on my intended target. But that comes as you become more comfortable with your swing. In the meantime, just point it at the flag with your followthrough. I like to hold the club out in front of me at about 9 or 10 o'clock, with the club pointing down my target. Call this "Toe Up" or whatever, the key is that the club is pointing down the line.
Your "hooding of the ball" at address isn't going to help you in terms of hitting down on the ball, but will work as a mental key to remember to keep your hands in front, wrists strong and left side quiet.
I'm no savior, but this works for me. It may sound unorthodox, but no one's swing is the same as anothers. Harvey Penick wrote that the most important part of a golf swing is the millisecond that the face meets the ball. This is so true. You can get the face there a million ways, it's just the method that works for you to square it up at impact is what is important.
Try a few of these out. It only took me about 6 years to master and I still go back to them every one in a while when the irons sorta slack off. And it works everytime.
If you need me to explain any of the above, let me know. I'd be more than glad to help.
Cheers Dave,
R35